The Budapest Film Symphony, led by the internationally acclaimed composer Inon Zur (Prince of Persia, Dragon Age, Fallout…) created a sublime score, and interpreted meaningful themes for the characters and locations throughout the game

As ever, you accompany perennial protagonist Kate Walker, now an investigative drifter who stumbles into intrigue and turns it into obsession. In this case, in the process of escaping enslavement in a Russian salt mine (where she ended up after the events of Syberia 3) and learning of the death of her mother, she finds an old painting of a girl who looks quite a lot like her. For our anchorless hero that poses a question which can’t be left hanging. At the beginning of Silberspiegel Refuge (Part 2), it's enough to examine the objects on the table to complete the secondary objective "Inspect the Common Room". But that’s the nature of the beast, and won’t deter genre fans, while any dropped story beats are made up for by the overall rhythm of a compelling plot. And ultimately, the game’s heart is there, not in its machines but in those human stories, in Dana and especially in Kate. It’s her curiosity and longing for meaning that drives this series, and precisely what we need for a good adventure. The World Before allows her to shine, and long may she continue.It’s a shame then that some of the narrative’s power is sapped by underwhelming production values and some clumsy delivery. Visually Vaghen’s scenery is evocative, reflecting the town’s evolution through good times and bad, and its population look convincing enough when they’re standing still. The animation and the way they interact with objects is less able to maintain the pretence, however. It’s not quite true to say that sometimes it’s hard to tell the humans from the automatons, but there is a certain puppet-like stiffness and weightlessness about their movements. A tale like no other! Embark on a magical journey through the enchanting cities of eastern Europe, both in 1937 and 2004. Accompanied by the music of Inon zur and the Budapest Film Symphony, piece together the puzzles that will disentangle the mysteries of two lives entwined together

Hey GoldenSun, thank you so much for this amazing guide! While following it, I noticed a few things: The game follows two timeframes with two characters: Dana Roze, a young pianist in the small fictional Central European country of Osterthal (resembling a mix of Austria, the Czech Republic and Switzerland) in the 1930s and Kate Walker, the protagonist of Syberia series, who is now imprisoned in a salt mine in the fictional Eastern European region of Taiga in early 2000s. Dana graduates from her conservatory by performing the local anthem dedicated to the city of Vaghen, where the fascist Brown Shadow faction (an analogue to National Socialists) have begun to persecute the ethnic minorities and force them into ghettoes. In side objectives, too, which prompt you to interview characters or rummage around more thoroughly, the aim is purely to learn more and add context. It’s refreshing for a game of this type, particularly one with so many mechanical parts, to not present the world merely as a series of useful things, or problems with discrete solutions, but as a place to observe and comprehend for its own sake.Vaghen, 1937: Dana Roze is a 17-year-old girl, who is beginning a brilliant career as a pianist. However, shadows begin to appear over her future as the fascist threat of the Brown Shadow hangs over Europe, at the dawn of the Second World War. At a technical level, Syberia: The World Before is a bit of a mixed bag. It’s a title that is dripping with detail at every turn and looks absolutely stunning. While it should, theoretically, only take you around twelve to fifteen hours to roll credits, my playtime became wildly inflated as I couldn’t help myself poking around the intricately designed environments and soaking in the atmosphere. This was especially true of Roze’s chapters, with the 1930s setting and the slight steampunk leanings, the series is known for creating a truly spellbinding look. This has always been a series that oozes style and originality, and it feels like, with the current generation of hardware, the developers are finally realizing their vision in full. Unravel the intertwined fates of Kate Walker, a New-York attorney whose life was turned around by the call to adventure, and Dana Roze, a young and promising pianist in Vaghen whose career is threatened by the shadow of the Second World War. Escape prison, visit abandoned cemeteries, explore high mountains and feel the thrill of adventure.

A full 100% walkthrough of Syberia: The World Before, showing solutions to every puzzle and code in the game. Another miss with Oscar comes in his utility throughout the game. As events begin, the only thing Kate has left of Oscar is his automaton heart, which also contains his memories and personality. One of her early goals is to find a new host automaton to put the heart into. I had anticipated this would be a source for some interesting puzzles involving swapping the heart into different mechanical bodies. Regrettably, this potential goes largely unrealized, though this a minor quibble in the grand scheme of things. With the story focused on Kate's internal struggle, more shenanigans with Oscar likely would have gotten in the way. Indeed, when it comes to Dana’s sections, many ‘puzzles’ are really daily routines in disguise, such as serving the right drinks in a bar. This is a smart way, I think, for The World Before to spend quality time with its characters and story, as opposed to directing everything towards advancing a wild adventure. As such, I would almost call it a kind of visual novel, not in the sense that there’s loads of reading to do, but that it develops the kind of epic saga that would suit a book. Syberia: The World Before is a graphic adventure video game developed and published by Microids and the fourth installment in the Syberia series. The game is dedicated to the memory of creator Benoît Sokal, who died during development in 2021.

The plot of The World Before is split across two timelines, with Kate in 2005 attempting to figure out what happened to this young woman, Dana Roze, and segments where you play Dana herself, starting in pre-war central Europe. Much of the story for both characters takes place in and around Vaghen, a fictional city in a fictional country somewhere between Germany and Switzerland. Kate visits locations frequented by Dana over 60 years before, seeking clues in any remnants and memories that endure. I’m also not sure why the lore needs to offer up an alternate version of the World War 2, where Hitler and the Nazis are replaced by a fascist organisation called the Brown Shadow, which sounds like an unpleasant Marvel supervillain, and the main victims of their persecution are referred to as Vagerans instead of Jews (although one note explains that the Vagerans are Jewish). It all feels a little too vague, as you hear talk of “nasty times” and “people like us” rather than historical specifics.